I appear to be completely out of touch with the average Masters of the Universe fan. In my research for these reviews, I found I much preferred the girl-oriented She-Ra: Princess of Power cartoon to the earlier He-Man and the Masters of the Universe, in part due to my bizarre preference for “plot” and “characters” instead of “glorified toy advertisements” (the introduction of Trap Jaw has him literally discussing the toy’s accessories, for dog’s sake).

Recently I’ve taken to watching the Millennium/Mike Young Productions He-Man and the Masters of the Universe, a cartoon I’ve found to be surprisingly strong in terms of making the largely nonsensical MOTU mythos coherent and interesting. The characters tend to have a little more development and the ongoing story arcs are actually followed up, making this one of the best iterations of MOTU. Naturally, that’s the version fans seem to dislike the most, because, I don’t know, they’re allergic to quality?

Where the Evil-Lyn of the Filmation cartoon is just another of Skeletor’s henchpersons who (rightfully) hates him (with fleeting episodes of character development), the Millennium series offers her a proper background that is expanded throughout the series. Her father, The Faceless One, appears in an early episode that develops her character from a black-and-white notion of “evil” to a more mature shades-of-grey perspective. We see her willing to defect against her now-monstrous ex-lover Skeletor. It’s refreshing to have a powerful female presence in the male-oriented show, especially while her “good” counterpart, the Sorceress, does nothing while hanging out in Castle Greyskull. This new Battleground Evil-Lyn, or BAGEL as she has become affectionately known (by me), is mostly a repaint of the previous MOTUC blue and yellow Evil-Lyn in the Millennium cartoon’s colors. I wasn’t initially excited by  the idea of another Evil-Lyn figure, but some great design choices have rendered this more than just a repaint. Read on! (more…)