In the early 1990s, the comics boom was fueled by the likes of the X-Men, Wolverine, the Punisher, Ghost Rider, and especially Cable, the time-travelling, Terminator-like cyborg superhero with a mysterious past (and future). Created by Rob Liefeld, Cable’s big robotic muscles, rectangular guns, and thigh-pouches came to represent the quintessential 1990s superhero cliche–so much so that Magog in Alex Ross’s Kingdom Come was designed as a parody of the character.
Rather than jumping on board the bandwagon, the editors at DC decided to show readers what it would be like if DC’s classic heroes were “modernized.” Batman was out of commission for a while in the Knightfall storyline, which saw the Bat-mantle taken up by a newcomer named Azrael, whose Joe Quesada-redesigned costume sent fans screaming back to their 1970s Batman trades. As for Superman, after his “death” at the hands of the very Image Comics-esque Doomsday, Superman was replaced by four heroes–a hip young teen, a Cable-like cyborg, an urban hero of the streets, and the borderline insane Eradicator. When Supes himself returned, he was initially dressed in a black “recovery suit,” and since his powers hadn’t returned to him, he equipped himself with some very Cable-style guns.
(I particularly love Steel’s little dig at Cable–you can’t tell me that’s not a deliberate reference to Marvel’s then-cash cow.) (more…)
